BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Visit Stellenbosch - ECPv6.17.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Visit Stellenbosch
X-ORIGINAL-URL:https://vs.sketchup.co.za
X-WR-CALDESC:Events for Visit Stellenbosch
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Africa/Johannesburg
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0200
TZNAME:SAST
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250312T080000
DTEND;TZID=Africa/Johannesburg:20250312T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73443-1741766400-1741798800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-12/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250311T080000
DTEND;TZID=Africa/Johannesburg:20250311T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73442-1741680000-1741712400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-11/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250310T080000
DTEND;TZID=Africa/Johannesburg:20250310T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73441-1741593600-1741626000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-10/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250309T080000
DTEND;TZID=Africa/Johannesburg:20250309T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73440-1741507200-1741539600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-09/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250308T080000
DTEND;TZID=Africa/Johannesburg:20250308T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73439-1741420800-1741453200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-08/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250307T080000
DTEND;TZID=Africa/Johannesburg:20250307T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73438-1741334400-1741366800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-07/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250306T080000
DTEND;TZID=Africa/Johannesburg:20250306T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73437-1741248000-1741280400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-06/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250305T080000
DTEND;TZID=Africa/Johannesburg:20250305T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73436-1741161600-1741194000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-05/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250304T080000
DTEND;TZID=Africa/Johannesburg:20250304T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73435-1741075200-1741107600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-04/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250303T080000
DTEND;TZID=Africa/Johannesburg:20250303T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73434-1740988800-1741021200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-03/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250302T080000
DTEND;TZID=Africa/Johannesburg:20250302T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73433-1740902400-1740934800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-02/
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250301T080000
DTEND;TZID=Africa/Johannesburg:20250301T170000
DTSTAMP:20250207T102030Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102030Z
UID:73432-1740816000-1740848400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-03-01/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250228T080000
DTEND;TZID=Africa/Johannesburg:20250228T170000
DTSTAMP:20250207T102028Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102028Z
UID:73431-1740729600-1740762000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-28/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250227T080000
DTEND;TZID=Africa/Johannesburg:20250227T170000
DTSTAMP:20250207T102027Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102027Z
UID:73430-1740643200-1740675600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-27/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250226T080000
DTEND;TZID=Africa/Johannesburg:20250226T170000
DTSTAMP:20250207T102026Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102026Z
UID:73429-1740556800-1740589200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-26/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250225T080000
DTEND;TZID=Africa/Johannesburg:20250225T170000
DTSTAMP:20250207T102024Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102024Z
UID:73428-1740470400-1740502800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-25/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250224T080000
DTEND;TZID=Africa/Johannesburg:20250224T170000
DTSTAMP:20250207T102023Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102023Z
UID:73427-1740384000-1740416400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-24/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250223T080000
DTEND;TZID=Africa/Johannesburg:20250223T170000
DTSTAMP:20250207T102021Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102021Z
UID:73426-1740297600-1740330000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-23/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250223T080000
DTEND;TZID=Africa/Johannesburg:20250223T170000
DTSTAMP:20250102T111610Z
CREATED:20250102T111610Z
LAST-MODIFIED:20250102T111610Z
UID:73171-1740297600-1740330000@vs.sketchup.co.za
SUMMARY:Adam Small Festival - Pniël Museum Dwarsrivier
DESCRIPTION:Save the dates! \n\n\nMark your calendars for a weekend of cultural celebration at the Adam Small Festival 2025 in the picturesque town of Pniël\, nestled in the heart of Dwarsrivier. \nFrom 21-23 February immerse yourself in the vibrant atmosphere and rich heritage of this enchanting event!\n\n\nLet’s come together to make memories\, celebrate diversity\, and cherish.
URL:https://vs.sketchup.co.za/event/adam-small-festival-pniel-museum-dwarsrivier-2025-02-23/
LOCATION:Pniël Museum\, Rivier Straat\, Pniel\, western Cape\, 7681\, South Africa
CATEGORIES:Art,Art & Music,History,Lifestyle
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/Adam-Small-Festival-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250222T080000
DTEND;TZID=Africa/Johannesburg:20250222T170000
DTSTAMP:20250207T102019Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102019Z
UID:73425-1740211200-1740243600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-22/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250222T080000
DTEND;TZID=Africa/Johannesburg:20250222T170000
DTSTAMP:20250102T111610Z
CREATED:20250102T111610Z
LAST-MODIFIED:20250102T111610Z
UID:73170-1740211200-1740243600@vs.sketchup.co.za
SUMMARY:Adam Small Festival - Pniël Museum Dwarsrivier
DESCRIPTION:Save the dates! \n\n\nMark your calendars for a weekend of cultural celebration at the Adam Small Festival 2025 in the picturesque town of Pniël\, nestled in the heart of Dwarsrivier. \nFrom 21-23 February immerse yourself in the vibrant atmosphere and rich heritage of this enchanting event!\n\n\nLet’s come together to make memories\, celebrate diversity\, and cherish.
URL:https://vs.sketchup.co.za/event/adam-small-festival-pniel-museum-dwarsrivier-2025-02-22/
LOCATION:Pniël Museum\, Rivier Straat\, Pniel\, western Cape\, 7681\, South Africa
CATEGORIES:Art,Art & Music,History,Lifestyle
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/Adam-Small-Festival-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250221T080000
DTEND;TZID=Africa/Johannesburg:20250221T170000
DTSTAMP:20250207T102017Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102017Z
UID:73424-1740124800-1740157200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-21/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250221T080000
DTEND;TZID=Africa/Johannesburg:20250221T170000
DTSTAMP:20250102T111610Z
CREATED:20250102T111610Z
LAST-MODIFIED:20250102T111610Z
UID:73166-1740124800-1740157200@vs.sketchup.co.za
SUMMARY:Adam Small Festival - Pniël Museum Dwarsrivier
DESCRIPTION:Save the dates! \n\n\nMark your calendars for a weekend of cultural celebration at the Adam Small Festival 2025 in the picturesque town of Pniël\, nestled in the heart of Dwarsrivier. \nFrom 21-23 February immerse yourself in the vibrant atmosphere and rich heritage of this enchanting event!\n\n\nLet’s come together to make memories\, celebrate diversity\, and cherish.
URL:https://vs.sketchup.co.za/event/adam-small-festival-pniel-museum-dwarsrivier/
LOCATION:Pniël Museum\, Rivier Straat\, Pniel\, western Cape\, 7681\, South Africa
CATEGORIES:Art,Art & Music,History,Lifestyle
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/Adam-Small-Festival-Image.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250220T080000
DTEND;TZID=Africa/Johannesburg:20250220T170000
DTSTAMP:20250207T102015Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102015Z
UID:73423-1740038400-1740070800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-02-20/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250219T080000
DTEND;TZID=Africa/Johannesburg:20250219T170000
DTSTAMP:20250207T102014Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T102014Z
UID:73420-1739952000-1739984400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing/
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Environmental,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250215T190000
DTEND;TZID=Africa/Johannesburg:20250215T210000
DTSTAMP:20250121T084509Z
CREATED:20250121T084358Z
LAST-MODIFIED:20250121T084509Z
UID:73234-1739646000-1739653200@vs.sketchup.co.za
SUMMARY:Andrew Young -Valentines @ Somerbosch Wines
DESCRIPTION:Celebrate love this Valentine’s Day with a romantic evening of world-class music\, exquisite wines\, and breathtaking views at Somerbosch Wines\, Stellenbosch. Join us for a special performance by Andrew Young\, the internationally acclaimed saxophonist\, as he serenades you with soulful melodies and timeless romantic hits. Enjoy an unforgettable night under the stars with your loved one\, complete with delicious wine\, gourmet dinner\, and the smooth\, captivating sounds of Andrew Young’s saxophone. Dinner & Show R1000 Tickets are limited\, so be sure to book early!
URL:https://vs.sketchup.co.za/event/andrew-young-valentines-somerbosch-wines/
LOCATION:Somerbosch\, R44 towards Somerset West\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Art & Music,Entertainment,Food & Drink,Music,Wine Route
ATTACH;FMTTYPE=image/webp:https://vs.sketchup.co.za/wp-content/uploads/2025/01/Andrew-Young-fbf58429590521a21ddbed2bcbba2250.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250214T180000
DTEND;TZID=Africa/Johannesburg:20250214T230000
DTSTAMP:20250128T134511Z
CREATED:20250128T134511Z
LAST-MODIFIED:20250128T134511Z
UID:73306-1739556000-1739574000@vs.sketchup.co.za
SUMMARY:Valentine’s Day Stefan’s Restaurant Experience | Erinvale Estate Hotel & Spa
DESCRIPTION:Valentine’s Day Stefan’s Restaurant Experience Savour a romantic Seven-course Fine Dining experience with enchanting violin melodies by Renate Riedemann in our award-winning restaurant. • Let the beauty of Erinvale Estate Hotel & Spa and the charm of the winelands create the perfect backdrop for your love story. • Available: 14 February 2025 • Book within 24 hours to secure your spot! Click here for our Valentine’s Day menu. Book your unforgettable Valentine’s experience now at hotel@erinvale.co.za or +27 21 847 1160
URL:https://vs.sketchup.co.za/event/valentines-day-stefans-restaurant-experience-erinvale-estate-hotel-spa/
LOCATION:Stefan’s Restaurant\, Erinvale Hotel & Spa\, Somerset West\, Western Cape\, South Africa
CATEGORIES:Art & Music,Entertainment,Explore,Food & Drink,Lifestyle,Music,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/Erinvale-Stefans-Couple2-944f39df09ffa268d91d38b91db7f6db-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250202T100000
DTEND;TZID=Africa/Johannesburg:20250202T170000
DTSTAMP:20250106T085604Z
CREATED:20250106T085604Z
LAST-MODIFIED:20250106T085604Z
UID:73183-1738490400-1738515600@vs.sketchup.co.za
SUMMARY:Harvest Festival celebrating Muratie’s 340th anniversary
DESCRIPTION:HARVEST FESTIVAL 2025 \n Join us for a memorable Harvest Festival celebrating Muratie’s 340th anniversary on February 1st and 2nd! Savour award-winning wines steeped in history\, cheese platters\, and seasonal dishes from our kitchen. Enjoy unique experiences like grape stomping\, tractor rides\, vineyard walks\, and live music. Relax with lawn games or indulge in wine tastings – all set against the stunning landscape of Muratie. This special weekend promises fun\, flavours\, and festivities for all. \n Live Music\nRelax under our ancient oak trees while enjoying live performances by the KJBB Band on both days. \nCulinary Delights\nSavour award-winning Muratie wines and indulge in delectable dishes from the Muratie Farm Kitchen\, available from 10:00 to 15:30 with a special festival menu. \nCurated Tastings\nPrebook a unique wine tasting experience in our Tasting Room (additional charge). \nFestival Details \n\nDate: February 1 & 2\, 2025\nTime: Gates open at 10:00\nSeating: First come\, first served. Bring a picnic blanket for the lawn.\nKitchen Hours: 10:00–15:30\n\nActivities (included in your ticket) \n\nGrape stomping\nWine tasting\nTractor rides\nHistoric walks\nLive music\n\nTickets \n\nGeneral Admission: R295\nChildren under 12: R100\n\nTickets are valid for one day only and cannot be transferred to another day. Ensure you select the correct date when booking
URL:https://vs.sketchup.co.za/event/harvest-festival-celebrating-muraties-340th-anniversary-2025-02-02/
LOCATION:Muratie Wine Estate\, Knorhoek Rd\, Koelenhof\, Stellenbosch\, Western Cape\, 7605\, South Africa
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Explore,Family,Food & Drink,History,Lifestyle,Music,Outdoor,Shopping,Students,Trail Run,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/468323985_1141376731322375_2719206580284926699_n-526ed4f83f1231f64658532f75975d2f.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250201T100000
DTEND;TZID=Africa/Johannesburg:20250201T170000
DTSTAMP:20250106T085604Z
CREATED:20250106T085604Z
LAST-MODIFIED:20250106T085604Z
UID:73181-1738404000-1738429200@vs.sketchup.co.za
SUMMARY:Harvest Festival celebrating Muratie’s 340th anniversary
DESCRIPTION:HARVEST FESTIVAL 2025 \n Join us for a memorable Harvest Festival celebrating Muratie’s 340th anniversary on February 1st and 2nd! Savour award-winning wines steeped in history\, cheese platters\, and seasonal dishes from our kitchen. Enjoy unique experiences like grape stomping\, tractor rides\, vineyard walks\, and live music. Relax with lawn games or indulge in wine tastings – all set against the stunning landscape of Muratie. This special weekend promises fun\, flavours\, and festivities for all. \n Live Music\nRelax under our ancient oak trees while enjoying live performances by the KJBB Band on both days. \nCulinary Delights\nSavour award-winning Muratie wines and indulge in delectable dishes from the Muratie Farm Kitchen\, available from 10:00 to 15:30 with a special festival menu. \nCurated Tastings\nPrebook a unique wine tasting experience in our Tasting Room (additional charge). \nFestival Details \n\nDate: February 1 & 2\, 2025\nTime: Gates open at 10:00\nSeating: First come\, first served. Bring a picnic blanket for the lawn.\nKitchen Hours: 10:00–15:30\n\nActivities (included in your ticket) \n\nGrape stomping\nWine tasting\nTractor rides\nHistoric walks\nLive music\n\nTickets \n\nGeneral Admission: R295\nChildren under 12: R100\n\nTickets are valid for one day only and cannot be transferred to another day. Ensure you select the correct date when booking
URL:https://vs.sketchup.co.za/event/harvest-festival-celebrating-muraties-340th-anniversary/
LOCATION:Muratie Wine Estate\, Knorhoek Rd\, Koelenhof\, Stellenbosch\, Western Cape\, 7605\, South Africa
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Explore,Family,Food & Drink,History,Lifestyle,Music,Outdoor,Shopping,Students,Trail Run,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/01/468323985_1141376731322375_2719206580284926699_n-526ed4f83f1231f64658532f75975d2f.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20241222T160000
DTEND;TZID=Africa/Johannesburg:20241222T210000
DTSTAMP:20240628T141912Z
CREATED:20240628T141912Z
LAST-MODIFIED:20240628T141912Z
UID:71364-1734883200-1734901200@vs.sketchup.co.za
SUMMARY:Twilight Market | Blaauwklippen Wine Estate
DESCRIPTION:Join us at our Twilight Market to celebrate local entrepreneurs and make the most of it with the family! Stock up on fresh\, organic produce and savour an artisan coffee as the children enjoy the expansive play area and make lasting memories.
URL:https://vs.sketchup.co.za/event/twilight-market-blaauwklippen-wine-estate-2024-12-22/
LOCATION:Blaauwklippen Vineyards\, R44\, Strand\, R44 Strand\, WESTERN cAPE\, 7600\, South Africa
CATEGORIES:Art,Art & Music,Environmental,Explore,Family,Food & Drink,Lifestyle,Outdoor,Shopping,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2019/12/Visit-Stellenbosch-Markets-Blaauwklippen.jpg
END:VEVENT
END:VCALENDAR