BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Visit Stellenbosch - ECPv6.17.2//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://vs.sketchup.co.za
X-WR-CALDESC:Events for Visit Stellenbosch
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Africa/Johannesburg
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0200
TZNAME:SAST
DTSTART:20240101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250531T120000
DTEND;TZID=Africa/Johannesburg:20250531T160000
DTSTAMP:20250420T164344Z
CREATED:20250416T073110Z
LAST-MODIFIED:20250420T164344Z
UID:73881-1748692800-1748707200@vs.sketchup.co.za
SUMMARY:Albert Frost Trio Live - Muratie Wine Estate
DESCRIPTION:Join us on May 31st\, at Muratie Wine Estate for an unforgettable afternoon with the Albert Frost Trio. Renowned for his dynamic stage presence and masterful guitar skills\, Albert Frost has earned the title of the “South African Hendrix” and was hailed by Rolling Stone as the “Dark Prince of South African Blues.” A SAMA-winning artist\, Frost seamlessly fuses blues\, rock\, and Afro rhythms\, delivering a sound that is both powerful and deeply expressive. The trio’s seamless synergy brings each performance to life\, with crisp rhythms\, vibrant basslines\, and layered harmonies that elevate Frost’s signature sound.
URL:https://vs.sketchup.co.za/event/albert-frost-trio-live-muratie-wine-estate/
LOCATION:Muratie Wine Estate\, Knorhoek Rd\, Koelenhof\, Stellenbosch\, Western Cape\, 7605\, South Africa
CATEGORIES:Lifestyle,Music,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/318222562_10158613494065458_5182178543698658445_n-86e9549834e226c9348a25e14ce7e708.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250430T080000
DTEND;TZID=Africa/Johannesburg:20250430T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73492-1746000000-1746032400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-30/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250430T070000
DTEND;TZID=Africa/Johannesburg:20250430T210000
DTSTAMP:20250423T083657Z
CREATED:20250423T083657Z
LAST-MODIFIED:20250423T083657Z
UID:73976-1745996400-1746046800@vs.sketchup.co.za
SUMMARY:Calling Us Home Musical | Endler Hall
DESCRIPTION:Calling Us Home’ is one of our musical’s\, written by Alice Gillham\, who runs Shy Music. ‘Calling Us Home’ had a highly successful run and was staged again in 2023 at the Artscape. We are going to embark on a multi-country tour later this year across Africa and in celebration of this we are hosting an in-concert version of ‘Calling Us Home’ at the Endler Hall. ‘Calling Us Home’ Narrated In Concert will be a performance involving musical performances of the selected songs from ‘Calling Us Home’ and narration done by local actor and artist\, Johann Vermaak.
URL:https://vs.sketchup.co.za/event/calling-us-home-musical-endler-hall/
LOCATION:Endler\, Victoria St & Neethling St\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Art & Music,Entertainment,Lifestyle,Music
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/endler-ce43613733fc8284c136a095b973c39b.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250429T080000
DTEND;TZID=Africa/Johannesburg:20250429T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73491-1745913600-1745946000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-29/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250428T080000
DTEND;TZID=Africa/Johannesburg:20250428T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73490-1745827200-1745859600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-28/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250427T080000
DTEND;TZID=Africa/Johannesburg:20250427T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73489-1745740800-1745773200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-27/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250426T080000
DTEND;TZID=Africa/Johannesburg:20250426T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73488-1745654400-1745686800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-26/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250425T180000
DTEND;TZID=Africa/Johannesburg:20250425T230000
DTSTAMP:20250404T143705Z
CREATED:20250404T143705Z
LAST-MODIFIED:20250404T143705Z
UID:73833-1745604000-1745622000@vs.sketchup.co.za
SUMMARY:Blaauwklippen Oesafdans 2025
DESCRIPTION:Blaauwklippen Oesdafdans 2025 – 25 April 2025\, 18h00. Ticket includes a drink. Dress in true “plaas-dans” style. T’s&C’s Apply
URL:https://vs.sketchup.co.za/event/blaauwklippen-oesafdans-2025/
LOCATION:Blaauwklippen\, R44\, Strand Road\, Western Cape\, 7600
CATEGORIES:Entertainment,Explore,Food & Drink,Music,Shopping,Students,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/oesafdans_sized-ab7206fb9e5b86f6b30d20cfb9f143d8-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250425T080000
DTEND;TZID=Africa/Johannesburg:20250425T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73487-1745568000-1745600400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-25/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250424T080000
DTEND;TZID=Africa/Johannesburg:20250424T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73486-1745481600-1745514000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-24/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250423T080000
DTEND;TZID=Africa/Johannesburg:20250423T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73485-1745395200-1745427600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-23/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250422T080000
DTEND;TZID=Africa/Johannesburg:20250422T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73484-1745308800-1745341200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-22/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250421T080000
DTEND;TZID=Africa/Johannesburg:20250421T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73483-1745222400-1745254800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-21/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250420T080000
DTEND;TZID=Africa/Johannesburg:20250420T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73482-1745136000-1745168400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-20/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250419T080000
DTEND;TZID=Africa/Johannesburg:20250419T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73481-1745049600-1745082000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-19/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250418T080000
DTEND;TZID=Africa/Johannesburg:20250418T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73480-1744963200-1744995600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-18/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250417T080000
DTEND;TZID=Africa/Johannesburg:20250417T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73479-1744876800-1744909200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-17/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250416T080000
DTEND;TZID=Africa/Johannesburg:20250416T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73478-1744790400-1744822800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-16/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250415T080000
DTEND;TZID=Africa/Johannesburg:20250415T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73477-1744704000-1744736400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-15/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250414T170000
DTEND;TZID=Africa/Johannesburg:20250414T180000
DTSTAMP:20250314T131638Z
CREATED:20250314T125739Z
LAST-MODIFIED:20250314T131638Z
UID:73784-1744650000-1744653600@vs.sketchup.co.za
SUMMARY:National Youth Choir (GB') live | Endler Hall
DESCRIPTION:Britain’s foremost youth choir\, the 100 voice National Youth Choir of Great Britain\, will present a 50 min a capella concert\, conducted by Nicholas Chalmers\, one of Britain’s foremost young conductors. It will include a diverse programme of works ranging from Anton Bruckner to Bare Necessities. Chalmers is one of the leading conductors in the UK. The choristers\, who are aged from 18 to 25\, is the flagship choir of National Youth Choir’s four ensembles. For over 40 years it has been home to some of the best young singers in the world.\n\n\n\n 
URL:https://vs.sketchup.co.za/event/national-youth-choir-gb-live-endler-hall/
LOCATION:Endler\, Victoria St & Neethling St\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Entertainment,Lifestyle,Music,Students
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/03/NYCC-St-Jude-Proms-June-24-c-Michael-Eleftheriades-24-5a4c85121840a61f0ab0a2131a9bff08-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250414T080000
DTEND;TZID=Africa/Johannesburg:20250414T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73476-1744617600-1744650000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-14/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250413T080000
DTEND;TZID=Africa/Johannesburg:20250413T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73475-1744531200-1744563600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-13/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250412T080000
DTEND;TZID=Africa/Johannesburg:20250412T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73474-1744444800-1744477200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-12/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250411T190000
DTEND;TZID=Africa/Johannesburg:20250411T210000
DTSTAMP:20250403T200654Z
CREATED:20250403T200654Z
LAST-MODIFIED:20250403T200654Z
UID:73825-1744398000-1744405200@vs.sketchup.co.za
SUMMARY:QUATUOR AVENA Around the world in 80 minutes | Endler Hall Stellenbosch
DESCRIPTION:A pinch of South Africa\, a teaspoon of France\, a touch of Italy\, a zest of Japan\, all simmering in Strasbourg since 2016: these are the ingredients that make up the Quatuor Avenaand its members Adam Campbell (South Africa)\, Nicolas Allard (France)\, Fabio Cesare (Italy) and Sumika Tsujimoto (Japan). \nR165 (general) / R125 (pension) R 65 (students) \nhttps://www.webtickets.co.za/v2/event.aspx?itemid=1563744024
URL:https://vs.sketchup.co.za/event/quatuor-avena-around-the-world-in-80-minutes-endler-hall-stellenbosch/
LOCATION:Endler\, Victoria St & Neethling St\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Art & Music,Entertainment,Music
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/QUATUOR-AVENA1-26e90558563beb7b3f9aab39f960f113.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250411T080000
DTEND;TZID=Africa/Johannesburg:20250411T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73473-1744358400-1744390800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-11/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250410T080000
DTEND;TZID=Africa/Johannesburg:20250410T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73472-1744272000-1744304400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-10/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250409T080000
DTEND;TZID=Africa/Johannesburg:20250409T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73471-1744185600-1744218000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-09/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250408T080000
DTEND;TZID=Africa/Johannesburg:20250408T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73470-1744099200-1744131600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-08/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250407T080000
DTEND;TZID=Africa/Johannesburg:20250407T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73469-1744012800-1744045200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-07/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250406T080000
DTEND;TZID=Africa/Johannesburg:20250406T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73468-1743926400-1743958800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-06/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
END:VCALENDAR