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DTSTART;TZID=Africa/Johannesburg:20250423T080000
DTEND;TZID=Africa/Johannesburg:20250423T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73485-1745395200-1745427600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-23/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250422T080000
DTEND;TZID=Africa/Johannesburg:20250422T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73484-1745308800-1745341200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-22/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250421T100000
DTEND;TZID=Africa/Johannesburg:20250421T210000
DTSTAMP:20250404T144254Z
CREATED:20250404T144254Z
LAST-MODIFIED:20250404T144254Z
UID:73839-1745229600-1745269200@vs.sketchup.co.za
SUMMARY:Blaauwklippen Easter Market
DESCRIPTION:Easter Egg Hunt Join us starting Saturday\, 19 April 2025\, at 11:00 AM for our fun-filled Easter Egg Hunt! The theme is “Dress Like a Bunny\,” so be ready to hop into the spirit of the season! Participation is R150 per person. Happy Hour & Stormers Game Catch the Stormers rugby game on-screen at the market\, and enjoy Happy Hour specials during the match! Special Discounts Enjoy 10% off on our Chocolate & Wine Pairing on Sunday\, 20 April 2025! Easter Market Hours 18 April 2025 – 10:00 AM to 9:00 PM 19 April 2025 – 10:00 AM to 9:00
URL:https://vs.sketchup.co.za/event/blaauwklippen-easter-market-2025-04-21/
LOCATION:Blaauwklippen\, R44\, Strand Road\, Western Cape\, 7600
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Food,Food & Drink,Lifestyle,Outdoor,Shopping,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/Market_April_18-21-bc33978df619a807deb94adbcc95ae6a-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250421T080000
DTEND;TZID=Africa/Johannesburg:20250421T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73483-1745222400-1745254800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-21/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250420T100000
DTEND;TZID=Africa/Johannesburg:20250420T210000
DTSTAMP:20250404T144254Z
CREATED:20250404T144254Z
LAST-MODIFIED:20250404T144254Z
UID:73838-1745143200-1745182800@vs.sketchup.co.za
SUMMARY:Blaauwklippen Easter Market
DESCRIPTION:Easter Egg Hunt Join us starting Saturday\, 19 April 2025\, at 11:00 AM for our fun-filled Easter Egg Hunt! The theme is “Dress Like a Bunny\,” so be ready to hop into the spirit of the season! Participation is R150 per person. Happy Hour & Stormers Game Catch the Stormers rugby game on-screen at the market\, and enjoy Happy Hour specials during the match! Special Discounts Enjoy 10% off on our Chocolate & Wine Pairing on Sunday\, 20 April 2025! Easter Market Hours 18 April 2025 – 10:00 AM to 9:00 PM 19 April 2025 – 10:00 AM to 9:00
URL:https://vs.sketchup.co.za/event/blaauwklippen-easter-market-2025-04-20/
LOCATION:Blaauwklippen\, R44\, Strand Road\, Western Cape\, 7600
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Food,Food & Drink,Lifestyle,Outdoor,Shopping,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/Market_April_18-21-bc33978df619a807deb94adbcc95ae6a-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250420T080000
DTEND;TZID=Africa/Johannesburg:20250420T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73482-1745136000-1745168400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-20/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250419T100000
DTEND;TZID=Africa/Johannesburg:20250419T210000
DTSTAMP:20250404T144254Z
CREATED:20250404T144254Z
LAST-MODIFIED:20250404T144254Z
UID:73837-1745056800-1745096400@vs.sketchup.co.za
SUMMARY:Blaauwklippen Easter Market
DESCRIPTION:Easter Egg Hunt Join us starting Saturday\, 19 April 2025\, at 11:00 AM for our fun-filled Easter Egg Hunt! The theme is “Dress Like a Bunny\,” so be ready to hop into the spirit of the season! Participation is R150 per person. Happy Hour & Stormers Game Catch the Stormers rugby game on-screen at the market\, and enjoy Happy Hour specials during the match! Special Discounts Enjoy 10% off on our Chocolate & Wine Pairing on Sunday\, 20 April 2025! Easter Market Hours 18 April 2025 – 10:00 AM to 9:00 PM 19 April 2025 – 10:00 AM to 9:00
URL:https://vs.sketchup.co.za/event/blaauwklippen-easter-market-2025-04-19/
LOCATION:Blaauwklippen\, R44\, Strand Road\, Western Cape\, 7600
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Food,Food & Drink,Lifestyle,Outdoor,Shopping,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/Market_April_18-21-bc33978df619a807deb94adbcc95ae6a-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250419T080000
DTEND;TZID=Africa/Johannesburg:20250419T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73481-1745049600-1745082000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-19/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250418T100000
DTEND;TZID=Africa/Johannesburg:20250418T210000
DTSTAMP:20250404T144254Z
CREATED:20250404T144254Z
LAST-MODIFIED:20250404T144254Z
UID:73835-1744970400-1745010000@vs.sketchup.co.za
SUMMARY:Blaauwklippen Easter Market
DESCRIPTION:Easter Egg Hunt Join us starting Saturday\, 19 April 2025\, at 11:00 AM for our fun-filled Easter Egg Hunt! The theme is “Dress Like a Bunny\,” so be ready to hop into the spirit of the season! Participation is R150 per person. Happy Hour & Stormers Game Catch the Stormers rugby game on-screen at the market\, and enjoy Happy Hour specials during the match! Special Discounts Enjoy 10% off on our Chocolate & Wine Pairing on Sunday\, 20 April 2025! Easter Market Hours 18 April 2025 – 10:00 AM to 9:00 PM 19 April 2025 – 10:00 AM to 9:00
URL:https://vs.sketchup.co.za/event/blaauwklippen-easter-market/
LOCATION:Blaauwklippen\, R44\, Strand Road\, Western Cape\, 7600
CATEGORIES:Art,Art & Music,Culture & Living History,Entertainment,Food,Food & Drink,Lifestyle,Outdoor,Shopping,Wine Route
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2025/04/Market_April_18-21-bc33978df619a807deb94adbcc95ae6a-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250418T080000
DTEND;TZID=Africa/Johannesburg:20250418T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73480-1744963200-1744995600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-18/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250417T080000
DTEND;TZID=Africa/Johannesburg:20250417T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73479-1744876800-1744909200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-17/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250416T100000
DTEND;TZID=Africa/Johannesburg:20250416T153000
DTSTAMP:20241220T141436Z
CREATED:20241220T141342Z
LAST-MODIFIED:20241220T141436Z
UID:73145-1744797600-1744817400@vs.sketchup.co.za
SUMMARY:Combat garden pests\, naturally  |  Babylonstoren
DESCRIPTION:Toss out the pesticides! Our botanist\, Ernst van Jaarsveld\, and entomologist\, Arné Stander\, will teach you how to plan a garden ecosystem that encourages predatory birds\, insects\, spiders and other garden animals to restore the balance in your garden – the way nature intended. _Steaming coffee from the Farm Shop is served upon arrival. Lunch at the Greenhouse Restaurant is included.
URL:https://vs.sketchup.co.za/event/combat-garden-pests-naturally-babylonstoren-2/
LOCATION:Babylonstoren\, Babylonstoren Klapmuts/Simodium Road\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Environmental,Explore,Family,Food,Lifestyle,Outdoor,Shopping
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2024/12/Hooffoto-1-1371e8b4b8459ffaf738340de65be493.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250416T080000
DTEND;TZID=Africa/Johannesburg:20250416T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73478-1744790400-1744822800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-16/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250415T080000
DTEND;TZID=Africa/Johannesburg:20250415T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73477-1744704000-1744736400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-15/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250414T080000
DTEND;TZID=Africa/Johannesburg:20250414T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73476-1744617600-1744650000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-14/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250413T080000
DTEND;TZID=Africa/Johannesburg:20250413T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73475-1744531200-1744563600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-13/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250412T080000
DTEND;TZID=Africa/Johannesburg:20250412T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73474-1744444800-1744477200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-12/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250411T080000
DTEND;TZID=Africa/Johannesburg:20250411T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73473-1744358400-1744390800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-11/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250410T160000
DTEND;TZID=Africa/Johannesburg:20250410T203000
DTSTAMP:20250219T083834Z
CREATED:20250219T083834Z
LAST-MODIFIED:20250219T083834Z
UID:73665-1744300800-1744317000@vs.sketchup.co.za
SUMMARY:Harvest Celebration 2025 |  Quoin Rock
DESCRIPTION:A Culinary Symphony of Flavour\, Terroir\, and Soul Step into the heart of the harvest season\, where the land’s bounty\, the winemaker’s art\, and the spirit of fire come together for an extraordinary celebration. Quoin Rock invites you to the Harvest Celebration\, a series of exclusive monthly events from February to April. What Awaits You: A harvest table flowing with seasonal delights\, including dishes prepared with flames dancing on the braai\, infusing each bite with bold\, smoky perfection. A curated selection of Quoin Rock’s signature wines\, each sip a story of passion and terroir. Live entertainment\, setting the scene. \n 
URL:https://vs.sketchup.co.za/event/harvest-celebration-2025-quoin-rock-2025-04-10/
LOCATION:Quoin Rock Wine Estate\, 7600 Knorhoek Rd\, Stellenbosch\, Stellenosch\, wc\, 7600\, South Africa
CATEGORIES:Entertainment,Explore,Lifestyle,Outdoor,Wine Route
ATTACH;FMTTYPE=image/webp:https://vs.sketchup.co.za/wp-content/uploads/2025/02/0702674_0-358c2ee787bf6a7e5e60e8a945d601a4.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250410T080000
DTEND;TZID=Africa/Johannesburg:20250410T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73472-1744272000-1744304400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-10/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250409T080000
DTEND;TZID=Africa/Johannesburg:20250409T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73471-1744185600-1744218000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-09/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250409T080000
DTEND;TZID=Africa/Johannesburg:20250409T150000
DTSTAMP:20241220T154455Z
CREATED:20241220T145858Z
LAST-MODIFIED:20241220T154455Z
UID:73151-1744185600-1744210800@vs.sketchup.co.za
SUMMARY:Sketching in Babylonstoren’s garden |  Babylonstoren
DESCRIPTION:Inspire creativity by discovering the botanical wonders of Babylonstoren in this explorative workshop. Master gardener Gundula Deutschländer will guide guests down pathways\, focusing on various natural forms that inspire closer observation. The aim is not to create botanical illustrations\, but to have fun on the journey\, and to find your personal interpretation of curiosities in the natural environment. The class includes all paper and materials needed. All you need to bring along is a sunhat and a keen eye for form and colour. Steaming coffee from the Farm Shop is served upon arrival. Lunch at the Greenhouse Restaurant is included.
URL:https://vs.sketchup.co.za/event/sketching-in-babylonstorens-garden-babylonstoren-2/
LOCATION:Babylonstoren\, Babylonstoren Klapmuts/Simodium Road\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Art,Environmental,Lifestyle,Outdoor,Workshop
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2024/12/Hooffoto-15-8c6aa688aa716f6753e732982e9f6efa.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250408T100000
DTEND;TZID=Africa/Johannesburg:20250408T153000
DTSTAMP:20241227T082935Z
CREATED:20241227T082812Z
LAST-MODIFIED:20241227T082935Z
UID:73155-1744106400-1744126200@vs.sketchup.co.za
SUMMARY:Grow your own winter vegetables - Babylonstoren
DESCRIPTION:Babylonstoren prides itself on the seasonal fruit and vegetables that abound in our garden\, and we are happy to share our secrets! Join Babylonstoren’s vegetable team\, York Steyn and Tenecia Stevens\, in the vegetable garden where they will demonstrate their top growing tips and tell you more about crop rotation\, no-dig soil preparation\, compost\, mulches\, propagation and planting. The workshop includes in-depth info on seed saving and sowing cover crops. Steaming coffee from the Farm Shop is served upon arrival. Lunch at the Greenhouse Restaurant is included
URL:https://vs.sketchup.co.za/event/grow-your-own-winter-vegetables-babylonstoren/
LOCATION:Babylonstoren\, Babylonstoren Klapmuts/Simodium Road\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Environmental,Explore,Food,Lifestyle,Outdoor,Workshop
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2024/12/Hooffoto-14-7a519b23f1784308ee95f3998586bf06.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250408T080000
DTEND;TZID=Africa/Johannesburg:20250408T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73470-1744099200-1744131600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-08/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250407T080000
DTEND;TZID=Africa/Johannesburg:20250407T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73469-1744012800-1744045200@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-07/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250406T080000
DTEND;TZID=Africa/Johannesburg:20250406T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73468-1743926400-1743958800@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-06/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250405T080000
DTEND;TZID=Africa/Johannesburg:20250405T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73467-1743840000-1743872400@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-05/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250404T080000
DTEND;TZID=Africa/Johannesburg:20250404T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73466-1743753600-1743786000@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-04/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
ATTACH;FMTTYPE=image/png:https://vs.sketchup.co.za/wp-content/uploads/2025/02/d1c4a7a8-5caa-74da-a903-9c7861a57e20.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Africa/Johannesburg:20250403T080000
DTEND;TZID=Africa/Johannesburg:20250403T170000
DTSTAMP:20250207T101501Z
CREATED:20250207T101501Z
LAST-MODIFIED:20250207T101501Z
UID:73465-1743667200-1743699600@vs.sketchup.co.za
SUMMARY:The Stellenbosch Triennale 2025 | BA’ZINZILE: A Rehearsal for Breathing.
DESCRIPTION:UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded\, being calm.  Stillness is a mechanism for survival\, a strategy for imagination\, and an ability and persistence.  In a world losing its breath\, where breathlessness pervades\, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions\, using Rehearsal as a mode of  Improvised philosophies.  \nBreath: Breathing is a fundamental act: taking air into the lungs and expelling it\, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff\, pant\, gasp\, wheeze\, blow\,  sigh\, impart\, imbue\, transfuse\, murmur\, whisper\, utter. Breathing is about continuing\, persisting\, insisting\, remaining\, holding\, being present\, and having a place. How have our breath been disturbed\, disrupted and dislocated? How have we sustained ourselves throughout these interruptions?  \nBreathing through States of Duress: We breathe through the duress of histories of colonialism\, enslavement\, apartheid\, wars and ongoing genocides\, wounded by its impacts and suffocating under its weight. Yet\, we Insist\, on finding ways to Improvise our breath\, our Aliveness\, and our existence.  \nRespiration: Breathing in states of duress and harm\, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival\, cultural recovery\, hope\, courage\, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe\, umphefumlo – the spirit\, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi\, the southern African dance used in political protests or in voguing movements used in queer culture – the life that pulses in exaltation below our feet\, opening a portal to Aliveness. This practice of breathing in situ\, being in ritual with oneself\, is a profound expression of insistence.  \nRehearsal: A rehearsal is a session of exercise\, a drill\, a dry run\, or a practice in preparation for a ceremony. It involves repetition to align\, figuring out interpretation\, mapping pathways\, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time.  \nImprovisation\, Jazz and the Black Tradition: Improvisation serves as a compass—composing\, arranging\, and executing without preparation. It involves off-the-cuff creativity\, imagination\, and skill mastery. It’s about creating rhythms and frequencies\, composing notes from the haikus of our existence. Jazz\, as a Black tradition of improvisation\, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath\, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies\, crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 
URL:https://vs.sketchup.co.za/event/the-stellenbosch-triennale-2025-bazinzile-a-rehearsal-for-breathing-2025-04-03/
LOCATION:Western Cape
CATEGORIES:Art,Art & Music,Culture & Living History,Food & Drink,History,Lifestyle,Music,Outdoor,Talk,Theatre
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DTSTART;TZID=Africa/Johannesburg:20250402T100000
DTEND;TZID=Africa/Johannesburg:20250402T123000
DTSTAMP:20241227T113118Z
CREATED:20241227T112800Z
LAST-MODIFIED:20241227T113118Z
UID:73161-1743588000-1743597000@vs.sketchup.co.za
SUMMARY:Fishing on the farm: a family affair (for kids aged 7–12) | Babylonstoren
DESCRIPTION:Bring your little ones to experience the joy of fishing on the farm. In this hands-on and family-orientated workshop\, we’ll guide youngsters with their parents to create their own fishing rod from natural materials found in the garden. We’ll also dig for worms and insects to use as bait before heading out to our farm dam to cast the lines. Family man and farm fundi Morné Olivier will share the fundamentals of fishing as we try our luck to haul out tilapia. Juice and gelato are included.
URL:https://vs.sketchup.co.za/event/fishing-on-the-farm-a-family-affair-for-kids-aged-7-12-babylonstoren/
LOCATION:Babylonstoren\, Babylonstoren Klapmuts/Simodium Road\, Stellenbosch\, Western Cape\, 7600\, South Africa
CATEGORIES:Explore,Family,Lifestyle,Outdoor
ATTACH;FMTTYPE=image/jpeg:https://vs.sketchup.co.za/wp-content/uploads/2024/12/Hooffoto-11-c1426f0e3aa2c255fd37572e58207b38.jpg
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